[Reading] ➸ Chaplin, his life and art By David Robinson – Saudionline.co.uk

Chaplin, his life and art quotes Chaplin, his life and art, litcharts Chaplin, his life and art, symbolism Chaplin, his life and art, summary shmoop Chaplin, his life and art, Chaplin, his life and art b1b81fbe Auteur, Sc Nariste, Musicien, Cin Aste, Producteur, Charlie Chaplin A Incarn Le Cin Ma Pour Des Millions De Spectateurs Pendant Plusieurs G N Rations Avec Son Talent De Mime, Son Sens De L Observation, Sa Silhouette Et Sa Moustache Devenues Arch Typiques, Charlot Est L Un Des Plus Grands Comiques Que Le Monde Ait Connus David Robinson, Pour Mener Bien Cette Biographie, A Rencontr Ceux Qui Ont C Toy Chaplin Mais Surtout Il A T Le Premier Avoir Acc S Ses Archives Priv Es Il Retrace Donc En D Tail Les Poques De Sa Vie, Depuis L Angleterre Victorienne, Le Music Hall, La Naissance Et Le D Clin De Hollywood Ou Le Cauchemar Du Maccarthysme, Jusqu Aux Derni Res Ann Es Coul Es Paisiblement En Suisse, O Il Meurt Le D Cembre Il R V Le Certains Faits M Connus Et R Ajuste Les Avis, In Vitablement Subjectifs, Que Chaplin Avait Exprim S Dans Son Autobiographie L Gard De Ses Amis, De Ses Proches Ou De Ses Aventures Amoureuses Les Notes De Travail, Les Rapports De Studios, Les Prises Non Utilis Es Viennent Aussi D Voiler Ce Que Chaplin Gardait Secret Le Processus De Cr Ation De Ses Visions Comiques L Ascension Formidable De Ce Petit Anglais, Anim Par Une Infatigable Qu Te De Perfection, S Explique Bien Des Gards Par Sa Personnalit Complexe Et Souvent Contradictoire Adul Par Le Public, Malgr Les Chroniques Scandaleuses Qu Alimenta Sa Vie Priv E, Il Fut Et Reste Incontestablement Un G Nie Et Un Des Mythes Fondateurs Du XXe Si Cle

10 thoughts on “Chaplin, his life and art

  1. says:

    Celebrity is a mask that eats into the face Said John Updike I love that quote.The Two Charlies their decline and fallThere are remarkable parallels between Charles Dickens and Charlie Chaplin the workhouse desperate London poverty childhoods,the early success leading to the ever gigantic successes,the world bestriding fame, the popular genres becoming ever elaborated from Pickwick to Dombey, from Kid Auto Races to Modern Times ,the leftish political slant and the zeal for social improvement, the appeal to the groundlings and the intellectuals, the great gouts of sentiment amongst the caricature comedy, andalso the great crash of their popularity in the last 50 years Well, I think the same thing has happened to both of them correct me if I m wrong Since the 50s at least, Chaplin s movies appear to be rated by critics a poor third to Buster Keaton s and Harold Lloyd s And I think you d have to look a long time with a strong flashlight in your local multiplex before you found a Chaplin fan His stuff is too encrusted with the inexplicable past It has too much surface noise Dickens another bad case of the total eclipse of the art Only us geeks would even think of picking up a Dickens and then we d probably not because there would be The Pale King or 2666 which we hadn t read yet or if we did get in the mood for some old school, we might find Wilkie Collins appearing in our literary mitts, because he s the Buster Keaton of Victorian melodrama Surface noiseI listen to old music a lot When I say old, I don t mean the 1990s, I mean the 1920s and 30s If you do that you have to accept surface noise Sometimes it s real BAD, like on Charlie Patton records, where it s like Charlie himself is frying some sausage, eggs and bacon right there in front of you as well as playing High Water Everywhere It s ugly Most times, though, surface noise is like a fine hissy undercoating, like on Al Bowlly doing The Very Thought of You After a while, it becomes part of the atmosphere of these great old songs Other art forms have their surface noise too In movies if you go back to the 50s you get oh the horror black and white films. I know people who will not watch black white movies It s hard work for them They think the dvd is broken They imply with their slight uncomfortable body movements that we have dishwashers now so we don t wash up dishes by hand we don t till the fields and raise our own chickens so why would we want to watch a black white movie So that s the movies version of surface noise You have to accept it or be cut off from the great movies of pre colour But then there is another problem when we peer into the past It s the surface noise of the mind This is when you become aware of the various weird, outrageous, unfunny attitudes and just strange stuff the people in these old movies did and had There are many scenes where the guy is driving along in a car with a girl and he ll be smoking, she ll be smoking, and he ll be chatting away looking at her and not even pretending to drive for three or four entire minutes Well, of course, they weren t driving, it was a back projection, but they do these scenes so contemptuously, it begins to look like it s supposed to seem fake, like some kind of Brechtian alienation device, but you know that s not what they were aiming at, so you get discombobulated And in every scene from the 30s to the 50s, if a guy and a woman go into a room together, the guy has the woman s upper arm or elbow in a vice like grip I mean, what Was that polite back then Also, the movies have titles like His Girl Friday offensive on several levels Try telling the modern misses of today that His Girl Friday is a cracking satire of tabloid journalism You won t get far.Chaplin was supposed to be universal, as was Dickens We now see that their universality did not travel in time What everyone I mean EVERYONE read, watched and loved in those days has become rarified truffles for the elite of geek But Charles and Charlie were the guys who were massively popular first They wrote the first book on how to be very very popular Since Dickens and Chaplin, I d count Elvis, The Beatles, Michael Jackson, Harry Potter and Twilight to be in the same phenomenal stratosphere Can t think anyone else approaching those select few Interesting that four out of the seven are British.But I ll bet that the 20 year olds of 2080 will be glowering at Harry Potter and thinking to themselves whoever liked this glurking plaf This blecking plaffy old movie It s enough to make you goff your newts

  2. says:

    chaplin, his life and art, David RobinsonChaplin His Life and Art is a 1985 book revised second edition 2001 by film critic David Robinson which examines the life and works of Sir Charlie Chaplin The British Film Institute describe the book as Chaplin s definitive biography impeccably researched, well written and full of detail Along with My Autobiography, it was used as source material for the 1992 film Chaplin 2006 1384 41 9649622322 1385 9789649622323 1388 1392 1889 1977 20 .

  3. says:

    I have to agree with the other reviews You have to be a true Chaplin fan to read this epic by David Robinson There are only two books necessary for the Chaplin fan My Autobiograpy , by Chaplin himself, and this book by Robinson While there are scores of other books on the market concerning Chaplin s life, Robinson s is THE definitive work If Charlie had been around to read this work, he might have amended his famous phrase from If you want to know me, see my movies, to If you want to know me, see my movies and read this book.

  4. says:

    Over the years I have read many biographies and analyses of Chaplin s life and art This one seems to me to the the most comprehensive and compelling I had the opportunity to meet the author last week and have a brief conversation, which was a wonderful moment for me Mr Robinson was very gracious in sharing insights into his work with me.

  5. says:

    I think you have to like Chaplin to get through this book I love Chaplin So I m glad there s a biography so thorough as this one, that collects in 632 pages and 100 pages of appendices pretty much every thing you might want to know about him.It took me a while to get through partly because I kept going to youtube to watch films as I was reading those parts, and watching the 3 episode Unknown Chaplin, which BBC production came out around the same time as this book and is almost a companion piece to it.The book breaks down into two main parts his childhood and his movies His childhood is like a Dickens novel until he gets on a tour of the US with the Karno troupe After he gets into movie making, the periods of his life are defined by his contracts for the two reeler periods , and then by each movie he made once he was his own boss The man lived his work.So, if you want to know if you should read this book, and you ve never seen The Gold Rush or The Kid or Shoulder Arms or A Dog s Life or The Pilgrim or City Lights or Modern Times, watch one or two of them first If you re blown away, and you think about the fact that he directed and wrote them and scored them as well as starring in them, go ahead and seek this book out.

  6. says:

    This book was fantastic, chock full of stories and anecdotes and meticulously researched Highly recommended.

  7. says:

    A fantastic, dense, detailed and incredibly informative book Every detail of Chaplin s life is examined from the very early days right up to the infamous grave robbing incident As a fan of Chaplin s since I was a child, this book as always been a must read for me and it didn t disappoint Robinson lays everything out clearly and allows for many fun little details to be tossed in as well This book is not for the light of heart at over 700 pages the information comes fast and furiously, but I soaked up every word Chaplin was and is a genius in filmmaking and created everything we know in modern cinema.To truly appreciate this book, you must be quite familiar with the filmography of Chaplin Fortunately, throughout my life I have seen almost all of his shorts, along with his feature films Robinson goes into vivid detail in regards to each specific film if you haven t seen them, I can see this being incredibly laborious For a Chaplin fan, it was a true pleasure.To top it all off, I bought this book from an antique shop for 10 and was shocked to notice on the front page of the book, an autograph from the author himself What a find.

  8. says:

    I ll start by saying I m not a big Chaplin fan, but he s one of those iconic figures that I hugely respect so I wanted to know about him and this book came the best recommended It s a classic and had me hooked right the way through, it s already been said by much better people than me that it won t be bettered and you can see why, the author has done a fabulous and monumental job in bringing everything about Chaplin together My only regret was that there was not enough about Chaplin s life outside his work but the title tells you what you get so I ll go back to that subject later through Chaplin s own words This is a fantastic book.

  9. says:

    Very good bio of the great comic A little dry in it s writing, sticking strictly to the facts of chaplin s life and not much conjecture or questioning of Chaplin s decisions made throughout his life Overall, weel done.

  10. says:

    Very interesting indeed A comprehensive study of a true creative.It took me a long time to read because a it is a huge book and b I kept breaking off to watch the films Robinson referred to, on Youtube They are still funny and just as relevant today.

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